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Spill occurs when sound is detected by a microphone not intended to pick it up (for example, the vocals being detected by the microphone for the guitar). [3] Spill is often undesirable in popular music recording, [4] as the combined signals during the mix process can cause phase cancellation and may cause difficulty in processing individual tracks. [2]
Equalization curve lowering the decibels of an ess frequency range for a human voice. De-essing is a dynamic audio editing process, only working when the level of the signal in the sibilant range (the ess sound) exceeds a set threshold.
Headset with an integrated microphone blocker also exist, allowing users to use the headphones (ie. for listening to music) without risking being eavesdropped. Microphone blocking adapters are phone connectors adapters with a microphone channel and a mechanism that produces a false positive signal simulating a connected microphone.
It is a refinement of the baffled microphone technique for stereo initially described by Alan Blumlein in his 1931 patent on binaural sound. In the beginning Jecklin used omnidirectional microphones on either side of a 30 cm (1 ft.) disk about 2 cm (3/4") thick, which had a muffling layer of soft plastic foam or wool fleece on each side.
The most common use of pitch correctors is to fix wrong intonation (tuning) of notes sung by vocalists in popular music sound recordings. The use of pitch correction speeds up the recording process, because singers do not need to keep singing a song or vocal line and re-recording it until the pitches are correct.
For music-quality audio, 44.1 and 48 kHz sampling rates are the most common. Master recording may be done at a higher sampling rate (i.e. 88.2, 96, 176.4 or 192 kHz). High-resolution PCM recordings have been released on DVD-Audio (also known as DVD-A), DualDisc (utilizing the DVD-Audio layer), or High Fidelity Pure Audio on Blu-ray.
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Proximity effect can be viewed in two ways. In some settings, sound engineers may view it as undesirable, and so the type of microphone or microphone practice may be chosen in order to reduce the proximity effect. On the other hand, some microphone users seek to intentionally use the proximity effect, such as beat boxing singers in hip hop music.