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Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
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The series was intended by Goya as a commercial venture but this was unsuccessful, partly because of Goya's expressive use of the form was radically different from the tidy appearance of most lithographs of the time. [2] A sense of Goya's working methods can be gained from Goya's companion and assistant in Bordeaux Antonio Brugada
The entire town has come to see the spectacle, and one can identify a mother breastfeeding her child, a couple in love, a Benedictine, men and women in majos and majas costumes, and children. [7] Only on the right side is the row of figures facing away broken by a woman who, with wide-open eyes, gazes at the viewer.
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The Victorious Hannibal Seeing Italy from the Alps for the First Time, [1] or Hannibal the victor crossing the Alps, [2] or Hannibal the victorious from the heights of the Alps looks out over the plains of Italy [3] (Spanish: Aníbal vencedor que por primera vez mira Italia desde los Alpes) is an oil painting by Spanish painter Francisco Goya, dating from his early years.
The Countess of Chinchon (Spanish: Condesa de Chinchón) is an oil-on-canvas portrait painted by the Spanish artist Francisco Goya, c. 1800. It is held in the Museo del Prado , Madrid . The painting depicts María Teresa de Borbón, 15th Countess of Chinchón , who had been encouraged by Queen Maria Luisa of Parma and by opportunism to marry ...
A way of flying (Spanish: Modo de volar) is a print by the Spanish painter and printmaker Francisco Goya. Created between 1815 and 1816, it is the 13th of the 22 aquatints making up the series Los disparates. Along with the rest of the series it was first published in 1864 by the Real Academia de Nobles Artes de San Fernando. [1]