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Reverberation time is a measure of the time required for the sound to "fade away" in an enclosed area after the source of the sound has stopped. When it comes to accurately measuring reverberation time with a meter, the term T 60 [ 6 ] (an abbreviation for reverberation time 60 dB) is used.
Summing up these contributions, a reverberant pressure field is created. The more reverberation, the more the field is diffused. Two oft-used measures of reverberation time quantify this parameter, : and . These values are the interval for the sound pressure level to the lower of 30 or 60 dBSPL. It can be obtained by measuring the sound ...
In a reverberant space, the sound perceived by a listener is a combination of direct and reverberant sound. The ratio of direct sound is dependent on the distance between the source and the listener, and upon the reverberation time in [the room]. At a certain distance the two will be equal. This is called the "critical distance."
The most appropriate reverberation time depends on the use of the room. RT60 is a measure of reverberation time. [9] Times about 1.5 to 2 seconds are needed for opera theaters and concert halls. For broadcasting and recording studios and conference rooms, values under one second are frequently used. The recommended reverberation time is always ...
How well a room absorbs sound is quantified by the effective absorption area of the walls, also named total absorption area. This is calculated using its dimensions and the absorption coefficients of the walls. [4] The total absorption is expressed in Sabins and is useful in, for instance, determining the reverberation time of auditoria.
Diffusion, in architectural acoustics, is the spreading of sound energy evenly in a given environment. A perfectly diffusive sound space is one in which the reverberation time is the same at any listening position. Most interior spaces are non-diffusive; the reverberation time is considerably different around the room.
For a multiple sound source speaker system, the measurement should be carried out for all sound sources (woofer, bass-reflex vent, midrange speaker, tweeter...). These measurements are easy to carry out, can be done at almost any room, more punctual than in-box measurements, and predicts half-space measurements, but without directivity information.
Architectural acoustics (also known as building acoustics) is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. [1] The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room.