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The Wedding anthem for Princess Anne, HWV 262, This is the day which the Lord hath made, is an anthem for vocal soloists, chorus and orchestra by George Frideric Handel. It was written for the wedding of Anne, Princess Royal and Prince William of Orange and was first performed during their marriage at the French Chapel in St James's Palace ...
"This is the day that the Lord hath made", a song by John W. Peterson; This is the day which the Lord hath made or Wedding anthem for Princess Anne; See also
Retrieved from "https://en.wikipedia.org/w/index.php?title=This_is_the_day_which_the_Lord_hath_made_(Handel)&oldid=609385641"
"O praise the Lord all ye heathen" Half a page of music from a personal copy of the tenor part of one or more partbooks: Old Library G.4.17 [47] QC "This is the day the Lord has made" Anthem for four voices, based on a text from Psalm 118: MSS 35–37, 42–44 (Peterhouse Partbooks: Latter Caroline Set) [48] PC [note 6]
Inspired by the words & adapted from the popular music of Psalm 118:24, "This is the day that the Lord has made. Let us rejoice and be glad in it.") the first musical collaboration of Dong Abay & Lourd de Veyra - 1:38; Prometheus Unbound words by Jose F. Lacaba, 1973 and music by Dong Abay, 2015 [19] - 6:24
I Want to Be a Clone is the title of the debut EP by new wave and post-punk influenced Christian musician Steve Taylor.As in later works, the singer-songwriter mixed criticism of general secular society, for things such as empty materialism and selfishness, with criticism of Christian church organizations, for things such as muddying the gospel message for marketing.
"This Is the Day" is a song written by Matt Johnson and originally released as a single by his band The The on 2 September 1983. [3] It reached number 71 on the UK Singles Chart . [ 4 ] A version of the song was included on the band's debut album Soul Mining , released in October 1983.
This Is the Day...This Is the Hour...This Is This! is the second studio album by English rock band Pop Will Eat Itself, released on 1 May 1989 by RCA Records.It builds upon the band's 1987 debut Box Frenzy in its extensive usage of sampling, combining influences from punk rock, hip hop, heavy metal, and disco music, with samples and lyrics that reference, among many subjects, pop culture and ...