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Olé is a Spanish interjection used to cheer on or praise a performance commonly used in bullfighting and flamenco dance. [2] In flamenco music and dance, shouts of "olé" often accompany the dancer during and at the end of the performance, and a singer in cante jondo may emphasize the word "olé" with melismatic turns.
¡Ole! or ¡olé! is a Spanish interjection used to cheer on or praise a performance, especially associated with the audience of bullfighting and flamenco dance. The word is also commonly used in many other contexts in Spain, and has become closely associated with the country; therefore it is often used outside Spain in cultural representation ...
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flamenco dancer (male, female), as opposed to 'bailarin', which is any other dancer. baile flamenco dance; other (non-flamenco) types are referred to as 'danza' baile de mantón a dance with a shawl balanceo y vaivén swaying of the body and hips. Balanceo is gentle; vaiven is violent bamberas song form for swings bata de cola
The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like "Cheers"—a place "Where Everybody Knows Your Name". The two songwriters recorded a simple piano/voice demo of the new song for the Cheers producers.
Much Flamenco music is in the Phrygian mode, though frequently with the third and seventh degrees raised by a semitone. [ 78 ] Zoltán Kodály , Gustav Holst , and Manuel de Falla use modal elements as modifications of a diatonic background, while modality replaces diatonic tonality in the music of Claude Debussy and Béla Bartók .
Font depictions of Unicode chess symbols (in the same order as the table): DejaVu Sans, FreeSerif, Quivira, Pecita. GNU Chess using Unicode chess characters to display a chess board in the terminal. Unicode has text representations of chess pieces. These allow to produce the symbols using plain text without the need of a graphics interface.
Canción Andaluza marked the first studio album by de Lucía in ten years since Cositas Buenas, released in 2014.The album was recorded at Casa Paco, his residency in Palma de Mallorca, Spain between late 2012 and early 2013, with the post-production of the album being marked by the death of de Lucía, who passed away on February 25, 2014 in Playa del Carmen, Mexico.