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Alford wrote "Come, Ye Thankful People, Come" in 1844 while he was rector of Aston Sandford in Buckinghamshire, England. [2] It was first published in Hymns and Psalms in 1844 with seven verses under the title "After Harvest". [1] "Come, Ye Thankful People, Come" was set to George J. Elvey's hymn tune St. George's, Windsor in 1858. [3]
The hymn was published with the current music (the "Winter Quarters" tune) for the first time in the 1889 edition of the Latter-day Saints' Psalmody. The hymn was renamed "Come, Come, Ye Saints" and is hymn number 30 in the current LDS Church hymnal. A men's arrangement of the hymn is number 326 of the same hymnal. [3]
"O Come, All Ye Faithful", also known as "Adeste Fideles", is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786), John Reading (1645–1692), King John IV of Portugal (1604–1656), and anonymous Cistercian monks. The earliest printed version is in a book published by Wade.
Wrestling Jacob", also known by its incipit, "Come, O thou Traveller unknown", is a Christian hymn written by Methodist hymn writer Charles Wesley. It is based on the biblical account of Jacob wrestling with an angel , from Genesis 32:24-32, with Wesley interpreting this as an analogy for Christian conversion.
Because "O Come, O Come Emmanuel" is a metrical hymn in the common 88.88.88 meter scheme (in some hymnals given as "8.8.8.8 and refrain" [13]), it is possible to pair the words of the hymn with any number of tunes. The meter is shared between the original Latin text and the English translation.
The hymns are split up by subject, such as theme (Commitment/Action, Love and Compassion, Hope, Freedom, Justice, Stewardship of the Earth) time (Morning, Evening, The Seasons, Harvest, Solstice and Equinox), origin (Music of The Cultures of the World, Words from Sacred Traditions, The Jewish Spirit, The Christian Spirit), holiday (Kwanzaa, Pesach / Passover, Hanukkah, Advent, Christmas ...
"Come, Thou Long Expected Jesus" was the first of a number of Wesley's hymns that became known as the "Festival hymns". These "Festival hymns" were published outside of Methodism by German, John Frederick Lampe in 1746. [7] The hymn came into popular knowledge across Christian denominations in England via popular Baptist preacher, Charles Spurgeon.
The hymn From all that dwell below the skies, a paraphrasing of Psalm 117 by Isaac Watts with the Doxology as the final verse, is commonly sung to the tune. [9] In the Sacred Harp and other shape note singing traditions, the tune is sung with the text "O Come, Loud Anthems Let Us Sing," a metrical paraphrase of Psalm 95 from Tate and Brady 's A ...