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St. Jerome in the Wilderness by Albrecht Durer, executed around 1496; St. Jerome in the Wilderness attributed to Andrea Mantegna, c. 1450; Saint Jerome in the Desert (Pinturicchio) by Pinturicchio, c. 1475–80; Saint Jerome in the Desert (van der Weyden) by Roger van der Weyden or his studio, c. 1450–1465; St. Jerome in the Desert (Bellini ...
Saint Jerome Hears the Trumpet of the Last Judgment; Saint Jerome at Prayer (La Tour) The Dead Christ Adored by Saint Jerome and Saint Dorothy; Della Rovere Chapel; Disputation of the Holy Sacrament; Saint Jerome in His Study (Dürer) St. Jerome in His Study (Dürer, 1521) St. Jerome in the Wilderness (Dürer)
The painting was previously in the Fitzwilliam Museum of Cambridge, and was later bought by the London museum. St. Jerome was a common subject of art at the time. Dürer for this work was probably inspired by similar depictions by Giovanni Bellini , or other artists influenced by Andrea Mantegna .
Saint Jerome in the Wilderness (Dürer) Add languages. ... Download as PDF; Printable version; ... Redirect page. Redirect to: St. Jerome in the Wilderness (Dürer)
Jerome (/ dʒ ə ˈ r oʊ m /; Latin: Eusebius Sophronius Hieronymus; Ancient Greek: Εὐσέβιος Σωφρόνιος Ἱερώνυμος; c. 342–347 – 30 September 420), also known as Jerome of Stridon, was an early Christian priest, confessor, theologian, translator, and historian; he is commonly known as Saint Jerome.
Saint Jerome in the Wilderness is an unfinished painting by the Italian Renaissance artist Leonardo da Vinci, dated c. 1480–1490. [ n 1 ] A recent study linked to the Lady with an Ermine carried out by Leonardo da Vinci at the same time supports this hypothesis. [ 1 ]
It uses the same composition as another St. Jerome in the Desert, controversially dated to around 1505. In both works saint Jerome is shown reading in the desert, referring to both his life as a hermit and his production of the Vulgate Bible. [citation needed] The Florence work shows a crucifix on a tall stick, which he used as a prayer aid.
The painting merges Jerome the scholar and Jerome the ascetic, the two predominant modes for depicting the saint. The abandoned sandal in the foreground has probably been borrowed from Flemish works, which Mantegna could have seen in the Este collections. Two hammers are resting on a beam hanging in the cave, possibly referring to Christ's ...