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The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
A cyclorama can be front lit or, if it is constructed of translucent and seamless material, backlit directly or indirectly with the addition of a white "bounce" drop. To achieve the illusion of extra depth, often desirable if one is re-creating a sky, the cyclorama can be paired with a "sharkstooth scrim" backdrop.
Of the three regular tilings two are in the p6m wallpaper group and one is in p4m. Tilings in 2-D with translational symmetry in just one direction may be categorized by the seven frieze groups describing the possible frieze patterns. [34] Orbifold notation can be used to describe wallpaper groups of the Euclidean plane. [35]
It is used for packs and load carriage equipment. The fabric being courser, it is difficult to incorporate all the details. I uses therefore less colours than the Tan and the Green, and takes mixes both so that they can use it in both environments efficiently enough. [53] M19. NFP-Navy. Flecktarn: 2020
Major Western collections hold many objects of widely varying materials with Islamic geometric patterns. The Victoria and Albert Museum in London holds at least 283 such objects, of materials including wallpaper, carved wood, inlaid wood, tin- or lead-glazed earthenware, brass, stucco, glass, woven silk, ivory, and pen or pencil drawings. [55]
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