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Elevation view of the Panthéon, Paris principal façade Floor plans of the Putnam House. A house plan [1] is a set of construction or working drawings (sometimes called blueprints) that define all the construction specifications of a residential house such as the dimensions, materials, layouts, installation methods and techniques.
The house and stable also incorporate an extremely rare tumblehome design throughout. The exterior walls slant inward from the base to the top. Since the interior walls are straight, the transition takes place in the exterior windows and doors which are wider at the bottom than they are at the top.
Open plan is the generic term used in architectural and interior design for any floor plan that makes use of large, open spaces and minimizes the use of small, enclosed rooms such as private offices. The term can also refer to landscaping of housing estates, business parks, etc., in which there are no defined property boundaries, such as hedges ...
A canted oriel window in Lengerich, Germany. A bay window is a window space projecting outward from the main walls of a building and forming a bay in a room. It typically consists of a central windowpane, called a fixed sash, flanked by two or more smaller windows, known as casement or double-hung windows.
By using free plan, the exterior façade of the building has large horizontal window bands to help achieve greater amounts of light reach the inside of the building. The interior also demonstrates free plan by not being limited by load bearing walls, but instead having large, openings and rooms in the inside façade of the building. [7]
A closed ventanilla below a capiz shell main window.. In Philippine architecture, the ventanilla is a small window or opening below a larger window's casement, created—often reaching the level of the floor—to allow either additional air into a room during hot days or some air during hot nights when the main window's panes are drawn.
Poplar Forest, note the octagonal design. One characteristic which typifies Jefferson's architecture is the use of the octagon and octagonal forms in his designs. Palladio never used octagons, but Jefferson employed them as a design motif—halving them, elongating them, and employing them in whole as with the dome of Monticello, or the entire house at Poplar Forest.
A villa with a superimposed portico, from Book IV of Palladio's I quattro libri dell'architettura, in an English translation published in London, 1736 Plan for Palladio's Villa La Rotonda (c. 1565) – features of the house were incorporated in numerous Palladian-style houses throughout Europe over the following centuries.
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