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The statue is about three quarter life size and it has been gilded to create the luxurious, golden appearance. The goddess's hour-glass upper body is bare with a lower garment tied to the hips with an almost ankle length hemline. Tara's right hand is shown in the gesture of giving while her left hand is thought to have held a lotus flower, now ...
Tara (Sanskrit: तारा, tārā; Standard Tibetan: སྒྲོལ་མ, dölma), Ārya Tārā (Noble Tara), also known as Jetsün Dölma (Tibetan: rje btsun sgrol ma, meaning: "Venerable Mother of Liberation"), is an important female Buddha in Buddhism, especially revered in Vajrayana Buddhism and Mahayana Buddhism.
The commonly known origin of Tara is from the 17th chapter of the Rudrayāmala which describes the initial unsuccessful attempts of the sage Vasiṣṭha in worshipping Tara, and the subsequent meeting with the god Vishnu in the form of Buddha in the region called Mahācīna (China) and his eventual success by the means of kaula rites.
The Agusan image (commonly referred to in the Philippines as the Golden Tara in allusion to its supposed, but disputed, [1] identity as an image of a Buddhist Tara) is a 2 kg (4.4 lb), [2] 21-karat gold statuette, found in 1917 on the banks of the Wawa River near Esperanza, Agusan del Sur, Mindanao in the Philippines, [3] dating to the 9th–10th centuries.
During this time, Buddha had a vision of Tarapith as an ideal location for a temple that would serve to enshrine the image of Tara. Buddha advised Vasishtha to go to Tarapith, the abode of Tara. At Tarapith, Vasishtha performed penance by reciting Tara mantra 300,000 times. Tara was pleased with Vasishtha's penance and appeared before him.
Sitātapatrā's benign and beautiful form belies her ferocity as she is a "fierce, terrifying goddess, garlanded by flames, a pulverizer of enemies and demons." [5] In the Mahayana Sitatapatra Sutra, she is called Aparājita "Undefeatable, Unconquerable" and is also identified as a form of goddess Tārā. [citation needed]
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