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This work of art is copyrighted in its source country until copyright expiry conditions have been met. Information on this image (Creator, death date, etc) should always be listed if known. Information on this image (Creator, death date, etc) should always be listed if known.
Like all the singles from We Can't Dance, "Jesus He Knows Me" was released on two CDs as well as on vinyl editions. All formats featured the non-album track "Hearts on Fire" (later included on Genesis Archive 2: 1976–1992) as the primary B-side, while both CDs included an exclusive track.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Detail of Noah in Genesis. Genesis was met with critical acclaim. [2] Seldon Rodman wrote in The New York Times that it was "the most ambitious mural painting north of the Rio Grande". [7] Lebrun wrote that it was "the best and most conclusive work I have painted to date". [2] Leonard Baskin, referencing Prometheus, wrote, "José Clemente can ...
The Fall of Adam and Eve as depicted on the Sistine Chapel ceiling. In the biblical story of Adam and Eve, coats of skin (Hebrew: כתנות עור, romanized: kāṯənōṯ ‘ōr, sg. coat of skin) were the aprons provided to Adam and Eve by God when they fell from a state of innocent obedience under Him to a state of guilty disobedience.
Illustration of Jacob's dream in the Book of Genesis Supposed site of Jacob's rest in Beit El, Binyamin district, as theorised by Zev Vilnay. The Stone of Jacob appears in the Book of Genesis as the stone used as a pillow by the Israelite patriarch Jacob at the place later called Bet-El. As Jacob had a vision in his sleep, he then consecrated ...
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
[3] The Hand of God symbol in the Ascension from the Drogo Sacramentary, c. 850. The Hand of God, an artistic metaphor, is found several times in the only ancient synagogue with a large surviving decorative scheme, the Dura Europos Synagogue of the mid-3rd century, and was probably adopted into Early Christian art from Jewish art.