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The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .
Christ at the Column (also known as The Flagellation of Christ; c. 1606/1607), is a painting by the Italian Baroque painter Caravaggio, now in the Musée des Beaux-Arts de Rouen, Rouen, France.
The Flagellation of Christ is a painting by the Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. [1] It is dated to 1607, and may have been reworked by the artist in 1610.
Choral meditations on aspects of the suffering of Jesus on the cross include arrangements such as Buxtehude's Membra Jesu Nostri, a 1680 set of seven Passion cantatas, and the first such Lutheran treatment, incorporating lyrics excerpted from a medieval Latin poem and featuring Old Testament verses that prefigure the Messiah as suffering servant.
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The Dolorous Passion of Our Lord Jesus Christ is a book published in 1833, based on the visions of Anne Catherine Emmerich, a German Roman Catholic mystic and stigmatic.The visions she experienced on the Passion of Jesus were recorded and compiled by Clemens Brentano, a German romantic poet and writer, [1] who compiled them for the book.
Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
Some Jewish men practice a symbolic form of self-flagellation on the day before Yom Kippur as an enactment; it is strictly prohibited in Judaism to cause self-harm. . Biblical passages such as "it shall be a holy convocation unto you; and ye shall afflict your souls" (Leviticus 23:27) were used to justify these