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When transferred to NTSC television, the rate is effectively slowed to 23.976 FPS (24×1000÷1001 to be exact), and when transferred to PAL or SECAM it is sped up to 25 FPS. 35 mm movie cameras use a standard exposure rate of 24 FPS, though many cameras offer rates of 23.976 FPS for NTSC television and 25 FPS for PAL/SECAM.
Video is recorded to an SDHC memory card in 720p, 1080i and 1080p formats with data rate up to 24 Mbit/s. A supplied 8 GB SDHC card holds about 45 minutes of video recorded at highest quality setting. The camcorder can record up to 12 hours continuously, provided that a memory card has sufficient storage space.
DVCPRO HD, also known as DVCPRO100 and D-12, is a high-definition video format that can be thought of as four DV codecs that work in parallel. Video data rate depends on frame rate and can be as low as 40 Mbit/s for 24 frame/s mode and as high as 100 Mbit/s for 50/60 frame/s modes. Like DVCPRO50, DVCPRO HD employs 4:2:2 color sampling.
Vertical interval timecode, (VITC, pronounced "vit-see"): recorded into the vertical blanking interval of the video signal on each frame of video. The advantage of VITC is that, since it is a part of the playback video, it can be read when the tape is stationary. AES-EBU embedded timecode, SMPTE timecode embedded in an AES3 digital audio ...
In "24" mode the camera ensures that there are no cadence breaks for a whole tape, this mode works better for watching video directly from the camera and for adding "film look" to interlaced video. In the "24A" mode the camera starts every clip on an A frame with timecode set to an even second margin [10] [11] and records the 2-3 pull-down ...
HDCAM deck HDCAM L tape. SMPTE 367M, also known as SMPTE D-11, is the SMPTE standard for HDCAM. The standard specifies compression of high-definition digital video. D11 source picture rates can be 24, 24/1.001, 25 or 30/1.001 frames per second progressive scan, or 50 or 60/1.001 fields per second interlaced; compression yields output bit rates ranging from 112 to 140 Mbit/s.
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24p cameras do not, as NTSC video cameras do, shoot 30 interlaced frames per second (60 fields); they shoot 24 full progressive frames per second. 24p material can be recorded directly into formats that support the framerate. Some of high definition formats support the 24p framerate in addition to 60i and 50i (PAL).
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