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Mien shiang (Chinese: 面 相; pinyin: miànxiàng meaning face (mien) reading (shiang)) is a physiognomic and fortune-telling practice in Chinese culture and traditional Chinese medicine which purports to determine aspects of person's character, personality, and (future) health by analyzing their face according to the five phases ("wu xing").
Chinese physiognomy or Chinese face reading (mianxiang) dates back to at least the Spring and Autumn period. [ 10 ] Early indications of a developed physiognomic theory appear in 5th century BC Athens , with the works of Zopyrus (featured in dialogue by Phaedo of Elis ), an expert in the art.
Chinese fortune telling, better known as Suan ming (Chinese: 算命; pinyin: Suànmìng; lit. 'fate calculating') has utilized many varying divination techniques throughout the dynastic periods. There are many methods still in practice in Mainland China , Taiwan , Hong Kong and other Chinese-speaking regions such as Malaysia , Indonesia and ...
Chinese phonology is covered by the following articles: Concerning modern Chinese: Standard Chinese phonology; Cantonese phonology; For the phonology of other varieties of Chinese, see the articles on the particular varieties; For an overview, see Varieties of Chinese → Phonology; Concerning pre-modern Chinese: Historical Chinese phonology
When sound is applied to one ear the contralateral cochlea can also be stimulated to varying degrees, via vibrations through the bone of the skull. When the stimuli presented to the test ear stimulates the cochlea of the non-test ear, this is known as cross hearing. Whenever it is suspected that cross hearing has occurred it is best to use masking.
Normally, the sound of one Chinese character is one syllable. Mandarin Chinese totally has about 1,300 different syllables with tones (only over 400 syllables if the tones are not taken into account). And modern Chinese has more than 10,000 characters, with an average of over 7.5 characters per syllable. That means homophonic characters widely ...
Chinese scientist hears 'knocking sound' in space. Anna Iovine. Updated December 2, 2016 at 10:28 AM. ... There is a notion that space is completely silent, for there is no medium for sound to travel.
Chinese makes frequent use of particles to express certain meanings such as doubt, query, command, etc., reducing the need to use intonation. However, intonation is still present in Chinese (expressing meanings rather similarly as in standard English), although there are varying analyses of how it interacts with the lexical tones.