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The streetlight effect, or the drunkard's search principle, is a type of observational bias that occurs when people only search for something where it is easiest to look. [1] Both names refer to a well-known joke: A policeman sees a drunk man searching for something under a streetlight and asks what the drunk has lost.
The oppositional gaze is direct rejection of Laura Mulvey's Visual Pleasure and Narrative Cinema (1975). [1] Mulvey's text analyses Lacan's mirror stage within film, concluding that subjectivity is "the birth of the long love affair/ despair between image and self-image which has found such intensity of expression in film and such joyous recognition in the cinema audience". [3]
Häxan (1922), a horror essay film about the historical roots and superstitions surrounding witchcraft. A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. [9]
Linguistic film theory was proposed by Stanley Cavell [1] and it is based on the philosophical tradition begun by late Ludwig Wittgenstein.The theory itself is said to mirror aspects of the activity of Wittgenstein's own philosophising (e.g. Wittgenstein's thought experiments) as films are viewed capable of engaging the audience in a therapeutic process of 'dialogue' and even investigate the ...
The concept of an "essay" has been extended to other media beyond writing. A film essay is a movie that often incorporates documentary filmmaking styles and focuses more on the evolution of a theme or idea. A photographic essay covers a topic with a linked series of photographs that may have accompanying text or captions.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
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The meaning of a film, plus the way the viewing subject is constructed and the mechanics of the actual process and production of making the film affect the representation of the subject. This effect is ideological because it is a reproduced reality and the cinematic experience affects the viewer on a deep level.