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The title track "I Can't Stand Still" reached No. 48 and the track "Johnny Can't Read" reached No. 42 on the charts. The album showcased some of Henley's frustrations at the time. "Dirty Laundry" displays his disgust with the media and tabloid news coverage, and "Johnny Can't Read," shows his displeasure with the American educational system. [5]
"Johnny Can't Read" is the first solo single released by American rock singer Don Henley, included on his debut solo studio album I Can't Stand Still (1982). His then partner, former actress Maren Jensen, performs backing vocals. It reached #33 in Cashbox magazine and charted at #42 on Billboard ' s Hot 100 chart.
"Dirty Laundry" is a song written by Don Henley and Danny Kortchmar from Henley's debut solo studio album I Can't Stand Still, (1982). The song reached number 1 on the Billboard Top Album Tracks chart in October 1982 prior to being issued as a 45 rpm single. Lyrically, the song describes mass media sensationalism.
The song that the band listens to before the car jam is "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)", released when the late Bon Scott was a member. In the wake of the 9/11 terrorist attacks , the song " Safe in New York City " was included in the 2001 Clear Channel memorandum , a list of "lyrically questionable" songs.
Shaw's song "I Confess" removed and replaced with a much longer scene with Ren after the Town Council meeting and a short reprise of "Heaven Help Me" Rusty, Wendy Jo, and Urleen now sing the opening of "Footloose" instead of Ren and the boys; Ariel now sings with Vi and Ethel during "Learning to be Silent"
Building the Perfect Beast is the second solo studio album by American rock singer Don Henley, released on November 19, 1984, by Geffen Records.A commercial and critical success, it is generally regarded as the culmination of the smoother, more adult-oriented sound of Henley's solo work.
"Where I Should Be (Monkey's Song)" ... "I Can't Stand It No More" U.S. Billboard Hot 100 14 Canada RPM Top Singles 15 Certifications. Region
Greenwald goes on to saying that the song's "lyrics have a venomous jealousy, and they are some of Clapton's most literate of the period". He rounded his review up by saying that "musically, some classic, almost Booker T. & the M.G.'s -styled chord changes highlight the driving tempo, providing Clapton with a huge hit". [ 3 ]