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Astavakrasana is a hand balance with lateral twist. The pose is entered from a squatting position, one arm between the feet, the other just outside the other foot, palms on the floor. Pushing up and lifting both legs from the floor gives a variant or preparatory position, with both legs bent, one leg over one forearm, the other leg crossed over ...
The most complete text of the Instruction of Amenemope is British Museum Papyrus 10474, acquired in Thebes by E. A. Wallis Budge in early 1888. [1] [9] The scroll is approximately 12 feet (3.7 m) long by 10 inches (250 mm) wide; the obverse side contains the hieratic text of the Instruction, while the reverse side is filled with a miscellany of lesser texts, including a "Calendar of Lucky and ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Lionel Stevenson wrote that "The most explosive impact in English literature during the nineteenth century is unquestionably Thomas Carlyle's. From about 1840 onward, no author of prose or poetry was immune from his influence." George Eliot's novel Middlemarch stands as a great milestone in the realist tradition. It is a primary example of ...
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Structuralist Poetics: Structuralism, Linguistics and the Study of Literature is a 1975 book of critical literary theory by the critic Jonathan Culler. First published by Routledge & Kegan Paul , [ 1 ] it won the James Russell Lowell Prize from the Modern Language Association of America in 1976 for an outstanding book of criticism. [ 2 ]
Sri Aurobindo would reject any kind of free verse without underlying and unifying rhythm. He further explains that Savitri adopts, with some adaptations, the iambic five-foot line of English blank verse as the most apt and plastic medium for this specific type of inspiration. He adds that independent text blocks with a kind of self-sufficient ...