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Refinement meets burlesque in Restoration comedy. In this scene from George Etherege's Love in a Tub, musicians and well-bred ladies surround a man who is wearing a tub because he has lost his trousers. Restoration comedy is English comedy written and performed in the Restoration period of 1660–1710. Comedy of manners is used as a synonym for ...
The patent theatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and Ireland in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomime or melodrama. Drama was also interspersed with singing or ...
Although the theatre styles of the Restoration lasted a while even after Collier's pamphlets, a new and more restrained theatre began to develop due, in part, to Collier's critiques. Due to the strict morals of the Puritans as well as others such as Collier, neoclassical drama began to emerge even while Restoration drama was still flourishing ...
The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery , illusionistic painting , trapdoors , and fireworks .
Heroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. [ 1 ] [ 2 ] The subgenre of heroic drama evolved through several works of the middle to later 1660s; John Dryden 's The Indian Emperour ( 1665 ) and Roger Boyle's The Black Prince ( 1667 ) were key ...
Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. [1]
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Restoration_drama&oldid=16912811"This page was last edited on 10 November 2004, at 14:13 (UTC) (UTC)