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Refinement meets burlesque in Restoration comedy. In this scene from George Etherege's Love in a Tub, musicians and well-bred ladies surround a man who is wearing a tub because he has lost his trousers. Restoration comedy is English comedy written and performed in the Restoration period of 1660–1710. Comedy of manners is used as a synonym for ...
Heroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. [ 1 ] [ 2 ] The subgenre of heroic drama evolved through several works of the middle to later 1660s; John Dryden 's The Indian Emperour ( 1665 ) and Roger Boyle's The Black Prince ( 1667 ) were key ...
Drama had developed the late Elizabethan theatre traditions and had begun to mount increasingly topical and political plays (for example, the drama of Thomas Middleton). The Interregnum put a stop, or at least a caesura, to these lines of influence and allowed a seemingly fresh start for all forms of literature after the Restoration.
The patent theatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and Ireland in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomime or melodrama. Drama was also interspersed with singing or ...
Although the theatre styles of the Restoration lasted a while even after Collier's pamphlets, a new and more restrained theatre began to develop due, in part, to Collier's critiques. Due to the strict morals of the Puritans as well as others such as Collier, neoclassical drama began to emerge even while Restoration drama was still flourishing ...
The Restoration spectacular, or elaborately staged "machine play", hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic painting, gorgeous costumes, and special effects such as trapdoor tricks, "flying" actors, and fireworks.
The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery , illusionistic painting , trapdoors , and fireworks .
A significant factor in the favorable treatment that history plays received was the social function that commentators of the time believed that plays of this genre provided. For Thomas Nash and Thomas Heywood, for example, the English history play immortalized English heroes of the past and created a sense of national pride in audiences. [11]