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Wanger was born Walter Feuchtwanger in San Francisco. He was the son of Stella (Stettheimer) and Sigmund Feuchtwanger, who were from German Jewish families that had emigrated to the United States in the nineteenth century. [2] Wanger was from a non-observant Jewish family, and later attended Episcopalian services with his wife.
The project had originally been connected to John Ford in 1941, but it was acquired by producer Walter Wanger. He envisaged it as "an Arabian nights story in a Western setting ". The film was loosely based on a short story inspired by the Arizona legend about a town, "Drinkmens Wells", which came to be known as " Salome, Where She Danced ".
The University of Minnesota Press is a university press that is part of the University of Minnesota. It had annual revenues of just over $8 million in fiscal year 2018. It had annual revenues of just over $8 million in fiscal year 2018.
Walter Wanger: Hollywood Independent. Minneapolis, Minnesota: University of Minnesota Press, 2000. ISBN 978-0-8166-3548-1. Humphries, Patrick. The Films of Alfred Hitchcock. New York: Crescent Books, 1994. ISBN 978-0-517-10292-3. Legrand, Catherine and Robyn Karney. Chronicle of the Cinema. London: Dorling Kindersley, 1995. ISBN 978-0-7894-0123-6.
We've Never Been Licked (or Texas Aggies, Texas to Tokyo, and Fighting Command) is a 1943 World War II propaganda film produced by Walter Wanger and released by Universal Pictures. [2] Released in the UK under the title, Texas to Tokyo , it was re-released in the US as Fighting Command . [ 3 ]
Walter Wagner: Hollywood Independent. Minneapolis: University of Minnesota Press, 2000. Minneapolis: University of Minnesota Press, 2000. ISBN 978-0-52008-127-7 .
Wanger considered science-fiction author Ray Bradbury, instead, but this did not happen, either. [12] Mainwaring eventually wrote the voice-over narration himself. [9] The studio scheduled three film previews on the last days of June and the first day of July 1955. [12] According to Wanger's memoranda at the time, the previews were successful.
Although some sources state that the film grossed $3.5 million, [2] the Walter Wanger biography Walter Wanger, Hollywood Independent indicated that the film grossed $5,641,711, with a net profit of $2,455,570. [1] Hayward was entitled to 37% of the film's overall profit. [13]