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A gelatin silver print is composed of four layers: paper base, baryta, gelatin binder, and a protective gelatin layer or overcoat. The multi-layer structure of the gelatin silver print and the sensitivity of the silver imaging salts require specialized coating equipment and fastidious manufacturing technique to produce a consistent product that ...
A chromogenic print, also known as a C-print or C-type print, [1] a silver halide print, [2] or a dye coupler print, [3] is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. [4]
Currently, the standard analog photographic printing process for black-and-white photographs is the gelatin silver process. [1] Standard digital processes include the pigment print, and digital laser exposures on traditional color photographic paper. [citation needed] Alternative processes often overlap with historical, or non-silver processes.
Art photography print types refers to the process and paper of how the photograph is printed and developed. C-Print / Chromogenic Print: A C-Print is the traditional way of printing using negatives or slides, an enlarger, and photographic paper—through a process of exposure and emulsive chemical layers. Chromogenic color prints are composed ...
The process rapidly spread and became a dominant method in Europe and America by 1894 since it had a visibly different color tone compared to albumen and gelatin silver prints. Late 1880s: Gelatin silver print This has been the major photograph printing process since the late 1880s up to the present. [3] Prints consist of paper coated with an ...
Effective fixing and washing removes all unexposed silver salts and leaves only a small amount of residual fixer. Any significant quantity of fixer (thiosulphate) left in the print after washing will cause the image to deteriorate over time. Many other factors play a critical role in the long-term stability of gelatin silver prints.
"After the color image is established, the black silver-based image is dissolved away, leaving the color behind." #28 The Cathedral, Amsterdam, Holland Image credits: Detroit Photograph Company
The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
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