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A medallion painting from the House of Marcus Fabius Rufus in Pompeii, Italy, executed in the Second Style and depicting the Greco-Roman goddess Venus-Aphrodite in regalia, with diadem and scepter; it is dated to the 1st century BC. Images of Venus have been found in domestic murals, mosaics and household shrines (lararia).
The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in
A mural of Venus Anadyomene, with the goddess wringing her hair, from the Casa del Principe di Napoli in Pompeii. According to Greek mythology, Aphrodite was born as an adult woman from the sea off Paphos in Cyprus, which also perpetually renewed her virginity. A motif of the goddess wringing out her hair is often repeated.
The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain.
Peter Paul Rubens' Venus at the Mirror, c. 1614–15, shows the goddess with her traditionally blond hair. [7] As with Velázquez's Venus, the goddess's reflected image does not match that portion of her face visible on the canvas. In contrast to Rubens' luscious and 'rounded' ideal form, Velázquez painted a more slender female figure. [8]
Venus Verticordia (1864–1868) by Dante Gabriel Rossetti is a semi-nude depiction of the goddess Venus, portrayed as a young woman with a golden halo and flowing auburn hair, surrounded by pink flowers in a dark, lush green garden.
Venus and Mars (Botticelli) Venus and Mars (Veronese) Venus and Musician; Venus and the Three Graces Presenting Gifts to a Young Woman; Venus Asks Vulcan to Forge Arms for her Son Aeneas; Venus Blindfolding Cupid; Venus Consoling Love; Venus Disarming Cupid; Venus Disrobing for the Bath; Venus Frigida; Venus in Search of Cupid Surprises Diana ...
Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
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