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Barry Jean Ancelet (pseudonym Jean Arceneaux; born 1951) [1] [4] is a Cajun folklorist in Louisiana French and ethnomusicologist in Cajun music. He has written several books, and under his pseudonym Jean Arceneaux, including poetry and lyrics to songs.
According to Barry Jean Ancelet, an academic expert on Cajun folklore and professor at the University of Louisiana at Lafayette in America, the tale of the rougarou is a common legend across French Louisiana. [2] Both words are used interchangeably in southern Louisiana. Some people call the monster rougarou; others refer to it as the connor last.
an illustration of a variant of the tale. The Tiger, the Brahmin and the Jackal is a popular Indian folklore with a long history and many variants. The earliest record of the folklore was included in the Panchatantra, which dates the story between 200 BCE and 300 CE.
Roots music is a broad category of music including bluegrass, country music, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck ...
Dewey Balfa (March 20, 1927 – June 17, 1992) was an American Cajun fiddler and singer who contributed significantly to the popularity of Cajun music. Balfa was born near Mamou, Louisiana . He is perhaps best known for his 1964 performance at the Newport Folk Festival with Gladius Thibodeaux and Vinus LeJeune, where the group received an ...
V.2 II.2 V.Frame III.10; IV.13 The three proverbs which stopped king from killing his own wives II.2.1 On hasty actions: Killing a mongoose in haste: 178A [12] V.Frame II.Frame 140 V.1 The wheel on the head of the excessively greedy V.2 The dead lion III.6 V.3 The tale of two fishes and a frog: 105 [12] V.4 The singing donkey and the jackal V.5
As a teenager he started collecting old blues, jazz, country, Cajun, and gospel records and accumulated a large collection of 78s, [6] those being the only medium at the time. In 1947, he met with Moses Asch , with an interest in selling or licensing the collection to Asch's label, Folkways Records . [ 7 ]
"Tit Galop Pour Mamou" (English: either Canter to Mamou or Giddy-Yap to Mamou) is a Cajun folk song with words and music by Dewey Balfa. The tune behind Joe South's "Games People Play" resembles the tune of "Tit Galop Pour Mamou" to some extent. A recording of the song by Mamou Master was used on the soundtrack of the 1991 film Scorchers. [1]