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Barry Jean Ancelet (pseudonym Jean Arceneaux; born 1951) [1] [4] is a Cajun folklorist in Louisiana French and ethnomusicologist in Cajun music. He has written several books, and under his pseudonym Jean Arceneaux, including poetry and lyrics to songs.
"Tit Galop Pour Mamou" (English: either Canter to Mamou or Giddy-Yap to Mamou) is a Cajun folk song with words and music by Dewey Balfa. The tune behind Joe South's "Games People Play" resembles the tune of "Tit Galop Pour Mamou" to some extent. A recording of the song by Mamou Master was used on the soundtrack of the 1991 film Scorchers. [1]
According to Barry Jean Ancelet, an academic expert on Cajun folklore and professor at the University of Louisiana at Lafayette in America, the tale of the rougarou is a common legend across French Louisiana. [2] Both words are used interchangeably in southern Louisiana. Some people call the monster rougarou; others refer to it as the connor last.
Cajun music is evolved from its roots in the music of the French-speaking Catholics of Canada. In earlier years, the fiddle was the predominant instrument, but gradually the accordion has come to share the limelight. Cajun music gained national attention in 2007, when the Grammy Award for Best Zydeco or Cajun Music Album category was created. [50]
Dewey Balfa (March 20, 1927 – June 17, 1992) was an American Cajun fiddler and singer who contributed significantly to the popularity of Cajun music. Balfa was born near Mamou, Louisiana . He is perhaps best known for his 1964 performance at the Newport Folk Festival with Gladius Thibodeaux and Vinus LeJeune, where the group received an ...
Cajun fiddle music is a part of the American fiddle music canon. It is derived from the music of southwest Louisiana and southeast Texas, as well as sharing repertoire from the Quebec and Cape Breton Island traditions. [1] It is one of the few extant North American folk music traditions rooted in French chanson. [2]
Cajun English is traditionally non-rhotic and today variably non-rhotic. A comparison of rhoticity rules between Cajun English, New Orleans English, and Southern American English showed that all three dialects follow different rhoticity rules, and the origin of non-rhoticity in Cajun English, whether it originated from French, English, or an independent process, is uncertain.
Boudreaux and Thibodeaux, also known as Boudreau and Thibodeau, are jokes which make fun of slow-witted Cajuns. [1] These jokes are a common tradition to the Southern Louisiana region and often feature an exaggerated Cajun accent.