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For example, an object may seem heavy when carried on planet earth, yet lightweight when carried on the moon, where gravity is different. It is a matter of our daily experience that the same object which gives pleasure to us under certain circumstances becomes boring under different situations.
An item bank Or Question Bank is a term for a repository of test items that belong to a testing program, as well as all information pertaining to those items. In most applications of testing and assessment , the items are of multiple choice format, but any format can be used.
Dayaram was the last poet of the old Gujarati school. Most of his works are written in a literary form called garbi, a lyric song. [8]Dayaram was a devotional poet and was a follower of "Nirgun bhakti sampraday" (Pushti sampraday) in Gujarat.
At any given point of time four bodies can co-exist with a soul. For example, humans normally have three bodies simultaneously—audarika sarira (normal visible gross physical body), taijasa sarira (fiery body), and karmana sarira (karmic body). Some higher spiritual ascetics may possess vaikriya sarira (transformational body).
Adhikara means eligibility; it is not a gradation but an acceptance of fact or realism in the spiritual sphere and a question of duty. A person's faith is determined by the kind of man he is, and his creed depends on his adhikara which eligibility determines his Ista or ideal.
Vipralabdha throwing away her jewellery. Chamba, 18th-century. Salar Jung Museum. The Ashta-Nayika classification (nayika-bheda) first appears in Natya Shastra (24.210-11), a key Sanskrit treatise on Indian performing arts, authored by Bharata (dated between 2nd century BC and 2nd century AD).
The principal author of Bhedabheda is Bhāskara who was either Shankara's contemporary or lived shortly after Shankara. [3] [4]Bhedabheda, is a Hindu philosophical tradition, primarily developed in the 7th Century CE, with key contributions from Bhāskara and Nimbarka.
Ram ke Naam (English: In the Name of God) is a 1992 documentary by Indian filmmaker Anand Patwardhan. The film explores the campaign waged by the right-wing Hindu nationalist organisation Vishva Hindu Parishad to build a temple to the Hindu deity Ram at the site of the Babri Masjid in Ayodhya , as well as the communal violence that it triggered.