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The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
The Islamic geometric patterns derived from designs used in earlier cultures: Greek, Roman, and Sasanian. They are one of three forms of Islamic decoration, the others being the arabesque based on curving and branching plant forms, and Islamic calligraphy ; all three are frequently used together, in mediums such as mosaic, stucco, brickwork ...
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
Geometric interlacing patterns are common in Islamic ornament. They can be considered a particular type of arabesque. Umayyad architectural elements such as floor mosaics, window grilles, carvings and wall paintings, and decorative metal work of the 8th to 10th centuries are followed by the intricate interlacings common in later medieval Islamic art.
Religious art – Art with religious subjects Shamsa – Intricately decorated rosette or medallion which is used in many contexts, including manuscripts, carpets, ornamental metalwork and architectural decoration such as the underside of domes Pages displaying wikidata descriptions as a fallback
Spiritual and religious images (6 C, 1 P, 2 F) Religious symbols (15 C, 71 P, 6 F) V. Visual arts by religion (9 C, 3 P) ... Media in category "Religious art"
Many digital serif fonts include arabesque pattern elements thought to be complementary to the mood of the font; they are also often sold as separate designs. [ 51 ] Design for a Cup for Jane Seymour, Hans Holbein the Younger , 1536, with zones in both Islamic-derived arabesques or moresques , and classically derived acanthus volutes