Search results
Results from the WOW.Com Content Network
The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
Spoliarium of Juan Luna displayed at Philippine National Museum of Fine Arts. In 1883, Luna commenced work on the painting commissioned by the Ayuntamiento. By May 1884, he dispatched the expansive canvas portraying the Spoliarium to Madrid for the annual Exposición Nacional de Bellas Artes. Remarkably, he became the inaugural recipient of one ...
Коляда; usually called Kolyada) is a painting by Russian and Soviet artist Efim Chestnyakov. It is one of the artist's most significant and famous works, and some art historians date it to the period immediately after the October Revolution of 1917. [1] It shows an ancient Slavic custom called koledari.
The Odalisque is a famous 1885 painting [1] by award-winning Filipino painter and revolutionary activist Juan Luna.It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".
Tampuhan, meaning "sulking", [1] is an 1895 classic oil on canvas impressionist painting by Filipino painter and revolutionary activist Juan Luna. It depicts a Filipino man and a Filipino woman having a lovers' quarrel.
Fides is also known for writing opera librettos for several Filipino composers. Some of the librettos she wrote are listed here: [1] [7] Lucrecia Kasilag's Larawan ng kababihan: Maskara at Mukha (1981) Lucrecia Kasilag's Why Flowers Bloom in May (2008) Francisco Feliciano's La Loba Negra (1984) Ryan Cayabyab's Spoliarium (2003)
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Her father, Dr. Pedro M. Cajipe was a survivor of the Bataan Death March, while her mother Felipa Baisas (a daughter of Francisco E. Baisas), was a pharmacist and chemistry teacher. [3] Cajipe-Endaya's work emerged from the period of ferment during the 1960s and 1970s in the Philippines.