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Underpainting gets its name because it is painting that is intended to be painted over (see overpainting) in a system of working in layers. There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille. [1] The different types have different colourings. Grisaille is plain grey.
Its use as an underpainting layer can be dated back to the guilds and workshops during the Middle Ages; however, it came into standard use by painters during the Renaissance, particularly in Italy. The imprimatura not only provides an overall tonal optical unity in a painting but is also useful in the initial stages of the work, since it helps ...
Working in layers is used extensively in oil painting for paintings that require more than one session. For a painting that develops over several days, allowing for the oil paint to dry for a given layer, it is helpful to work with explicit painting layers.
A sinopia showing a king, from the Museum of Sinopie in Pisa, Italy. The sinopia—in this case, meaning the underpainting—of a painting of the Madonna and Child by Giovanni di Francesco Toscani A sinopia for a fresco by Buonamico Buffalmacco (1290-1341), in the Museum of Sinopie in Pisa
Overpainting is the final layers of paint, over some type of underpainting, in a system of working in layers.It can also refer to later paint added by restorers, or an artist or dealer wishing to "improve" or update an old image—a very common practice in the past.
The underpainting or ground beneath these was usually white (typically gesso coated with a primer), allowing light to reflect through the layers. But van Eyck, and Robert Campin a little later, used a wet-on-wet technique in places, painting a second layer soon after the first.
Verdaccio is an Italian name for the mixture of black, white, and yellow pigments resulting in a grayish or yellowish (depending on the proportion) soft greenish brown. ...
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, [1] for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden .