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A wreath worn for purpose of attire (in English, a "chaplet"; [1] Ancient Greek: στέφανος, romanized: stéfanos, Latin: corona), [2] is a headdress or headband made of leaves, grasses, flowers or branches. It is typically worn on celebrations, festive occasions and holy days, having a long history and association with ancient pageants ...
In ancient Greek costume, a tainia (Ancient Greek: ταινία; pl.: ταινίαι or Latin: taenia; pl.: taeniae) was a headband, ribbon, or fillet. Coin of king Perseus of Macedon wearing a taenia or diadema headband. The tainia headband was worn with the traditional ancient Greek costume. The headbands were worn at Greek festivals. [1]
Iranian king wearing headband A hard plastic headband, or Alice band Baby wearing a headband. A headband or hairband [1] is a clothing accessory worn in the hair or around the forehead, usually to hold hair away from the face or eyes. Headbands generally consist of a loop of elastic material or a horseshoe-shaped piece of flexible plastic or ...
Such wreaths or crowns were represented in classical architecture, in ancient Greek art and sculpture, and in Roman art and sculpture. As well as being awarded for merit and military conduct, they were worn by orators, priests performing sacrifices, by the chorus in ancient Greek drama, and by attendees of a symposium.
Bust of an empress, possibly Vibia Sabina, wearing a stephane, c. AD 134 –147. A stephane (ancient Greek στέφανος, from στέφω (stéphō, “I encircle”), Lat. Stephanus = wreath, decorative wreath worn on the head; crown) was a decorative headband or circlet made of metal, often seen on depictions of high-status ancient Roman and Greek women, [1] [2] [3] as well as goddesses. [4]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Musical scene with three women painted by the Niobid painter.Side A of a red-figure amphora, Walters Art Museum. Music played an integral role in ancient Greek society. Pericles' teacher Damon said, according to Plato in the Republic, "when fundamental modes of music change, the fundamental modes of the state change with t
Archytas provided a rigorous proof that the basic musical intervals cannot be divided in half, or in other words, that there is no mean proportional between numbers in super-particular ratio (octave 2:1, fourth 4:3, fifth 3:2, 9:8). [12] [14] Archytas was also the first ancient Greek theorist to provide ratios for all 3 genera. [1]