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The zheng (pinyin: zhēng; Wade–Giles: cheng), or guzheng (Chinese: 古筝; pinyin: gǔzhēng; lit. 'ancient zheng'), is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is 64 inches (1.6 m; 5 ft 4 in) long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from Paulownia wood ...
The duxianqin has been recognized by the Chinese government to be "a vehicle of 'intangible cultural heritage,' which can be defined as song, music, dance, drama, crafts and similar prized skills that can be recorded but not touched or interacted with."
Han Dynasty depiction of Yu. Yubu, translated as Pace(s) of Yu or Step(s) of Yu, is the basic mystic dance step of religious Daoism.This ancient walking or dancing technique typically involves dragging one foot after another, and is explained in reference to the legendary Yu the Great, who became lame on one side of his body from exerting himself while establishing order in the world after the ...
It is a plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument. [1] It is based on the Chinese guzheng and is similar to the Japanese koto, Mongolian yatga, Vietnamese đàn tranh, Sundanese kacapi and Kazakh jetigen.
The se (Chinese: 瑟) or guse (Chinese: 古瑟) is an ancient plucked zither of Chinese origin. It varied in size and construction, but generally had 25–50 strings with moveable bridges and a range of up to five octaves. It was one of the most important stringed instruments in China, along with the guqin.
A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
The Chinese musicologist Yang Yinliu divided the history of guqin into three periods: the first is the pre-Qin period, the second from the Qin dynasty to Tang dynasty, the third from the end of Tang to the 20th century. It is believed that during the first period the qin became popular as part of the court orchestra and as an instrument of the ...
The construction of the guqin Chinese zither is a complex process like any other musical instrument. However, there is much symbolism in the choice of materials, the shape or form of the instrument that are important things to consider when creating a qin.