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Norman Foster (born Norman Foster Hoeffer; December 13, 1903 – July 7, 1976) was an American film director, screenwriter and actor. He directed many Charlie Chan and Mr. Moto films as well as projects for Orson Welles and Walt Disney. As an actor he was a leading man in early talkies and also appeared in Welles' final film, The Other Side of ...
I Cover Chinatown is a 1936 American crime film directed by Norman Foster and starring Foster, Elaine Shepard and Theodore von Eltz. [1] A San Francisco Chinatown tour guide gets mixed up with a murder. It was Foster's debut as a director and one of his final appearances as an actor.
Norman Foster as Billy Boyle, an aging former child actor from Hannaford's early films, and a member of his entourage, portrayed as a stooge. He is a recovering alcoholic, and a compulsive eater of candy, with parallels to Mickey Rooney .
Pages in category "Films directed by Norman Foster" The following 32 pages are in this category, out of 32 total. This list may not reflect recent changes. A.
Journey into Fear is a 1943 American spy film noir directed by Norman Foster, based on the 1940 novel by Eric Ambler. [1] The film broadly follows the plot of the book, but the protagonist was changed to an American engineer, and the destination of his journey changed from France to the Soviet Union—reflecting the changes in the war situation since the original Ambler book was written ...
Navajo is a 1952 American fictional drama film directed by Norman Foster. It was nominated for two Academy Awards: for Best Documentary Feature (although it's not a documentary [1]) and Best Cinematography. [2] The Academy Film Archive preserved Navajo in 2012. [3] [4]
Jodie Foster shares Charlie and her 22-year-old son, Christopher, with her ex Cydney Bernard. Jodie Foster married actor and filmmaker Alexandra Hedison in 2014. Read on to learn more about Jodie ...
Norman Foster has directed "Kiss the Blood Off My Hands" with keen appreciation for the story's emotional content and he has handled the scenes of violence with striking sharpness. The long chase that starts the film on its way, with Lancaster desperately racing through winding streets and alleyways of the London waterfront, vaulting fences and ...