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Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Alice and Elisabeth Cahen d’Anvers (most commonly referred to as Pink and Blue) is an oil painting by French impressionist Pierre-Auguste Renoir.Produced in Paris in 1881, the painting depicts the sisters Alice and Elisabeth, daughters of Louise Cahen d'Anvers and her husband the Jewish banker Louis Raphaël Cahen d'Anvers.
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Pinkie and The Blue Boy can be seen in the pilot episode of Eerie, Indiana. [12] Pinkie can be seen hanging on a wall of Gus Fring's apartment, opposite the bathroom entrance, in the Better Call Saul episode "Black and Blue." The paintings are used as set decorations for many episodes of the American television show Leave It to Beaver. The two ...
The painting, and even the frame, are in shades of yellow, ocher and brown. The painting also has highlights in pink, red, green and blue. A fine example of an Impressionist painting, Van Gogh dedicated the painting to his brother Theo for his guidance and introduction to modern art. [27]
It was made during a period where he explored the use of "dots" of paint set alongside contrasting colors, influenced by Georges Seurat. [21] In 1885 Seurat made A Sunday Afternoon on the Island of La Grande Jatte with a technique of placing colored dots on a work which led a movement called "Neo-Impressionism", "Divisionism" and "Pointillism".
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Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8] Theo van Gogh was an art dealer and provided his brother with financial and emotional support as well as access to influential people on the contemporary art scene.