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The documentary concerned the history of rap music and hip-hop culture in the United States, from its origins in the Bronx to mainstream stardom at the turn of the 20th century, to the present day. The documentary focuses a lens on the political aspects and ramifications of Hip-hop music in a reactionary culture. [3]
By the end of the decade, hip-hop was an integral part of popular music, and many American pop songs had hip-hop components. Hip-hop has been described as a "mainstream subculture". The main reasons why hip-hop culture secured its subcultural authority despite becoming a part of the mass media and mainstream industries can be summarized as follows.
From disco to AKs. Whether it was seen as a fun new form of disco, important Black urban storytelling, or an irresponsible, violence-glorifying genre, early rap was a juicy tale for the press
Despite these thematic overlaps, they are generally seen as part of conventional hip hop rather than nerdcore, largely because they did not self-identify as nerdcore artists. [7] Conversely, nerdcore artists do not always concentrate solely on stereotypically "nerdy" topics. For instance, MC Frontalot's songs often explore broader themes.
Not many non-performing contemporary songwriters are quite interesting enough to sustain a 90-minute documentary, but then, not many are Diane Warren, one of the great characters of modern Hollywood.
Nas in 1998, several years after the release of Illmatic.. Illmatic, the 1994 debut album by Nas, made a significant impact on the hip hop genre. The album has been credited as one of the pivotal works that returned East Coast hip hop, particularly Queensbridge's hip hop scene, to prominence in a time when public attention was focused on West Coast releases.
During the 1990s, pop rap began to expand even more as hip hop music also began to connect strongly with dance music and R&B. [2] [3] In the early 1990s, MC Hammer and Vanilla Ice broke into the mainstream with songs such as "U Can't Touch This" and "Ice Ice Baby", respectively, but the two sampled from both songs of the 1980s. [6]
Progressive rap music is defined by its critical themes around societal concerns such as structural inequalities and political responsibility. According to Lincoln University professor and author Emery Petchaur, artists in the genre frequently analyze "structural, systematic, and reproduced" sources of oppression and inequality in the world, [3] while Anthony B. Pinn of Rice University ...