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Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, [3] and often incorporates elements of blues, rock and roll, soul music, R&B, Cajun, and early Creole music. Zydeco music is centered on the accordion, which leads the rest of the band, and a specialized washboard, called a vest frottoir, as a ...
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks, i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
Fernest Arceneaux (August 27, 1940 – September 4, 2008) [1] was a French-speaking Creole Zydeco accordionist and singer from Louisiana. He was known as "The New Prince of Accordion" for his virtuosity.
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French (now known as cajun music), New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues , and Afro-Caribbean rhythms.
Clifton Chenier (June 25, 1925 – December 12, 1987), [1] [2] was an American musician known as a pioneer of zydeco, a style of music that arose from Creole music, with R&B, blues, and Cajun influences. He sang and played the accordion. Chenier won a Grammy Award in 1983. [1]
Cedric Watson plays a variety of old-school zydeco styles, original material, and Creole traditionals. The polyrhythmic and syncopated sounds of Africa and the Caribbean echo in his ensemble. He plays old La-La French music (traditional Creole music) in accordion, fiddle, and guitar with mentors Edward Poullard and James Adams in Les Amis Creole .
A Cajun diatonic accordion. Cajun music (French: Musique cadienne), an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music.
Both his accordion playing and vocals have been stylistically influential in Cajun music and zydeco. [ 6 ] Along with bandmates like Dennis McGee, Ardoin "crossed the musical color line" in the Jim Crow South , earning the admiration of listeners of both races and creating temporary social spaces where cultural interchange could take place. [ 11 ]
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