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The recordings were made by the radio station WABC-FM, in 1965, for a Friday radio show called "Portraits in Jazz" with Alan Grant (né Abraham Grochowsky; 1919–2012). Coltrane's group played at the Half Note from March 19–April 4 [3] and again from May 4–9 [4] of that year.
Live at the Half Note is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at the Half Note in 1959 accompanied by Bill Evans, Jimmy Garrison, and Paul Motian. It was first released on the Verve label in 1994 as a double CD set. [1] [2] [3]
Smokin' at the Half Note is an album by Wes Montgomery and the Wynton Kelly Trio that was released in 1965. It was recorded live in June 1965 at the Half Note Club in New York City and September 22, 1965 at Van Gelder Studios in Englewood Cliffs, New Jersey.
In March, Coltrane and his group played at the Half Note; recordings of some of these performances were released on Live at the Half Note: One Down, One Up, [3] about which one reviewer stated: it "captures Coltrane's music on the cusp of major change, just weeks before embarking on the last phase of his career — during which he expunged from ...
Smokin' at the Half Note with the Wynton Kelly Trio (Verve, 1965) Maximum Swing: The Unissued 1965 Half Note Recordings with the Wynton Kelly Trio (Resonance, 1965) [5] Jimmy & Wes: The Dynamic Duo with Jimmy Smith (Verve, 1966) Further Adventures of Jimmy and Wes with Jimmy Smith (Verve, 1969)
Live at the Half-Note is an album by Art Farmer's Quartet featuring guitarist Jim Hall recorded in 1963 at the Half Note Club and released on the Atlantic label. [1]
Half Note Records is a jazz record label founded by the Blue Note Jazz Club in 1998. [1] Although it began releasing live recordings from the club, the label expanded to produce studio albums. [2] Half Note has received critical acclaim for many of its releases.
At the Half Note Cafe, Vols. 1 & 2 are a pair of separate but related live albums by American trumpeter Donald Byrd recorded at the Half Note in Manhattan on November 11, 1960 and released on Blue Note the following year. Byrd's quintet features saxophonist Pepper Adams and rhythm section Duke Pearson, Laymon Jackson and Lex Humphries.