Search results
Results from the WOW.Com Content Network
Femininity can be understood as socially constructed, [1] [2] and there is also some evidence that some behaviors considered feminine are influenced by both cultural factors and biological factors. [ 1 ] [ 3 ] [ 4 ] [ 5 ] To what extent femininity is biologically or socially influenced is subject to debate.
This document is a 35-page excerpt, including the Welcome chapter of the book and Part 1: The Principles of Best Year Yet – three hours to change your life First published by HarperCollins in 1994 and by Warner Books in 1998 Available in 12 other languages, including Spanish, Dutch, German, Italian, Swedish, Romanian, Chinese, and Japanese
In storytelling, the heroine's journey is a female-centric version of the traditional hero's journey template. One origin of the idea is Maureen Murdock's 1990- book The Heroine's Journey: Woman's Quest for Wholeness; Murdock is a Jungian psychotherapist and a student of Joseph Campbell.
The postmodern queer conception of femme is a femme-identified person who does not always dress or act in a "traditionally feminine" (meaning a feminine aesthetic, such as wearing makeup, heels, and numerous accessories) way, but who expresses femme identity through feminine-associated behaviours, interactions and political views. [22]
Friedan contends that "first stage" of feminism, a movement intended to liberate women from their traditional role as only mothers and house-wives, was coming to an end with the deadline for the ratification of the Equal Rights Amendment, and that it was time to take feminism to a new stage, which could better deal with the issues of a new generation of women.
The feminine beauty ideal is a specific set of beauty standards regarding traits that are ingrained in women throughout their lives and from a young age to increase their perceived physical attractiveness. It is experienced by many women in the world, though the traits change over time and vary in country and culture. [1]
"Throwing like a Girl: A Phenomenology of Feminine Body Comportment Motility and Spatiality" is a 1980 essay by political philosopher and feminist Iris Marion Young which examines differences in feminine and masculine norms of movement in the context of a gendered and embodied phenomenological perspective.
To dispel such perceptions, the suffragettes sought to present a more feminine appearance, donning delicate white tea dresses with purple and green accents – the colors of royalty and growth. Yet, as an act of defiance they also wore red lipstick – with the express intent of appalling men due to the historical social proscription of lipstick.