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"On to the Next One" is a song by American rapper Jay-Z, released on December 15, 2009 as the fourth single from his eleventh studio album The Blueprint 3 on his Roc Nation label and also released as the fourth single in the United Kingdom after "Young Forever".
Can I Live (Jay-Z song) Can't Knock the Hustle (Jay-Z song) Caught Their Eyes; Change Clothes; Change the Game; The City Is Mine; Clique (song) Come Fly with Me (Foxy Brown song) Come On Baby (Saigon song) Coming Home (Diddy – Dirty Money song) Crazy in Love
[15] DJBooth.net praised the song's booming bass and stuttering high-hats. [16] Ian Cohen of Pitchfork also praised the song's production. [17] Simon Vozick-Levinson of Rolling Stone gave the song a negative review saying, "Tom Ford" might mark the lyrical nadir of Jay-Z's catalog. He sounds bored half to death by the basic rhyme, listlessly ...
Jay-Z’s battle with Nas is still one of the most long-standing conflicts in hip-hop history. It continues to significantly shape both of their careers. It all started when Nas ghosted Jay on a ...
Before leaving, Berry gave Jay-Z a copy of a critical essay she wrote on his albums Reasonable Doubt, Vol. 3... Life and Times of S. Carter, and The Blueprint. [3] [4] It inspired him to write the second verse of the song. [4] The next day, Just Blaze played the beat he had produced to Jay-Z.
A remix of the song produced by Kanye West can be found as a hidden track on The Blueprint after the songs "Blueprint (Momma Loves Me)" and the other hidden song "Lyrical Exercise". The remix is composed of new verses by Jay-Z, a new instrumental sampling "Trying Girls Out" by The Persuaders and uncredited vocals from Michael Jackson and Chante ...
The next day, Jay-Z (real name Shawn Carter) stepped out with Beyoncé, whom he married in 2008, and 12-year-old daughter Blue Ivy at the world premiere of their new Disney movie Mufasa.
"Jigga That Nigga" is a song by the American rapper Jay-Z. It was the third single from his sixth studio album, The Blueprint. It has additional vocals from Stephanie Miller and Michelle Mills but they are not credited as featuring. In the US, the song peaked at #66 on the Hot 100.