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Rather, it is a precise set of symptoms surrounding the loss that define it as such. [2] There are a variety of factors that define a death as tragic. An event in which a massive number of deaths occur may be seen as a tragedy. This can be re-enforced by media attention or other public outcry. [3] A tragedy does not necessarily involve massive ...
Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. The advent of the domestic tragedy ushered in the first phase shift of the genre focusing less on the Aristotelian definition of the genre and more on the definition of tragedy on the scale of the ...
This list of wars by death toll includes all deaths directly or indirectly caused by the deadliest wars in history. These numbers encompass the deaths of military personnel resulting directly from battles or other wartime actions, as well as wartime or war-related civilian deaths, often caused by war-induced epidemics, famines, or genocides.
^Buckham, p. 108: "The honour of introducing Tragedy in its later acceptation was reserved for a scholar of Thespis in 511 BC, Polyphradmon's son, Phrynichus; he dropped the light and ludicrous cast of the original drama and dismissing Bacchus and the Satyrs formed his plays from the more grave and elevated events recorded in mythology and history of his country."
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
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The causes of such shatterings of assumptions are diverse and defy neat categorization. For example, wars are not always national traumas; while the Vietnam War is experienced by Americans as a national trauma [5] Winston Churchill famously titled the closing volume of his history of the Second World War Triumph and Tragedy. [6]
In chapter 13 of the book, Aristotle states that for tragedy to end in misfortune is "correct," [6] yet in chapter 14 he judges a type of plot in tragedy "best" [7] that does not end in misfortune. [ 8 ] [ 9 ] Since the 16th century, scholars [ 10 ] [ 11 ] in Classics have puzzled over this contradiction or have proposed solutions, of which ...