Search results
Results from the WOW.Com Content Network
In Richard Wagner's opera cycle Der Ring des Nibelungen, the cloak becomes a magic helmet called the Tarnhelm, which also imparts the ability to transform upon its wearer. When Fritz Lang adapted Nibelungenlied for the movie screen in his 1924 film Die Nibelungen , Siegfried uses a veil or net of invisibility gained from the dwarf Alberich .
Woodcut showing a witch on a broomstick with a conical hat, from The History of Witches and Wizards (1720). The origins of the witch hat as displayed today are disputed. One theory is that the image arose out of antisemitism: in 1215, the Fourth Council of the Lateran issued an edict that all Jews must wear identifying headgear, a pointed cap known as a Judenhut.
This eliminates the need to place the hat on a surface, and also allows the performer to give the hat to an audience member for inspection. However, producing a rabbit from a hat using nothing but sleight of hand is a much more difficult trick. [2] This trick is also traditionally performed for children, since it is a basic trick with basic props.
Formerly he was captain of a schooner with Trot's father as his mate; after losing his leg, the Cap'n retired, and Trot's father was promoted to captain of the same ship. Cap'n Bill and Trot also play significant roles in the later Oz books The Lost Princess of Oz (1917), The Magic of Oz (1919) and Jack Snow's The Magical Mimics in Oz (1946).
Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth. Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil .
In fantasy, a magician may be shown wearing a pointed hat, robes, and/or a cloak. In more modern stories, a magician may be dressed similarly to a stage magician, wearing a top hat and tails, with an optional cape. Several golden hats adorned with astronomical sequences have been found in Europe.
The transitive side of magic is explored in Agrippa's De occulta philosophia, and at times it is vulgarized. Yet in Ficino and Pico and we never lose sight of magic's solemn religious purposes: the magician explores the secrets of nature so as to arouse wonder at the works of God and to inspire a more ardent worship and love of the Creator.
Merlin's traditional biography casts him as an often-mad cambion, born of a mortal woman and an incubus, from whom he inherits his supernatural powers and abilities. [7] His most notable abilities commonly include prophecy and shapeshifting. Merlin matures to an ascendant sagehood and engineers the birth of Arthur through magic and intrigue. [8]