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' French song ') is generally any lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s.
French personal pronouns (analogous to English I, you, he/she, we, they, etc.) reflect the person and number of their referent, and in the case of the third person, its gender as well (much like the English distinction between him and her, except that French lacks an inanimate third person pronoun it or a gender neutral they and thus draws this distinction among all third person nouns ...
In languages with only masculine and feminine genders, the dummy pronoun may be the masculine third person singular, as in the French for "it's raining": il pleut (where il means "he", or "it" when referring to masculine nouns); although some languages use the feminine, as in the equivalent Welsh sentence: mae hi'n bwrw glaw (where the dummy ...
with the (col before a masculine noun, colla before a feminine noun); (see next for example) col canto with the singer, see also colla voce col legno with the wood: for bowed strings, strike the strings with the stick of the bow (col legno battuto) or draw the stick across the strings (col legno tratto) col pugno
Some (very rare) nouns change gender according to the way they are used: the words amour 'love' and délice 'pleasure' are masculine in singular and feminine in plural; the word orgue 'organ' is masculine, but when used emphatically in plural to refer to a church organ it becomes feminine (les grandes orgues); the plural noun gens 'people ...
Polish: Masculine personal, Masculine animate, Masculine inanimate, Feminine, Neuter (traditionally, only masculine, feminine and neuter genders are recognized). Pama–Nyungan languages including Dyirbal and other Australian languages have gender systems such as: Masculine, feminine (see Women, Fire, and Dangerous Things), vegetable and neuter ...
Canción ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate. [1] Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz.
This is a key difference from English: in English, possessive pronouns are inflected to indicate the gender and number of their antecedent — e.g., in "the tables are his", the form "his" indicates that the antecedent (the possessor) is masculine singular, whereas in the French les tables sont les siennes, "siennes" or its base form "sien ...