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Ravenstail weaving is thought to be a precursor to Chilkat weaving. [2] Ravenstail weaving has sharp, geometric lines and minimal colors; while Chilkat weaving visually looks more natural with curved lines and a larger color palette. [3] Ravenstail uses a finger-weaving technique called 'twining'. [4]
Creativity techniques are methods that encourage creative actions, whether in the arts or sciences. They focus on a variety of aspects of creativity, including techniques for idea generation and divergent thinking , methods of re-framing problems, changes in the affective environment and so on.
This utility-maximization process is thought to be mediated by the locus coeruleus system, [78] and this creativity framework describes how tonic and phasic locus coeruleus activities work in conjunction to facilitate the exploiting and exploring of creative ideas. This framework not only explains previous empirical results but also makes novel ...
Crafts are a physical manifestation of the internal human creative impulse and typically involves the use of hands to create the artform. One of the visual arts – visual arts is a class of art forms, including painting, sculpture, photography, printmaking and others, that focus on the creation of works which are primarily visual in nature.
Creativity processes use these influencing factors as they support the search for ideas, problem solving and evaluation, and selection of ideas via rules, a group of people, and a creative process. Design thinking: Design thinking is an approach to problem-solving and ideation process that works through four key elements.
A maker space with potential bricolage material. In the arts, bricolage (French for "DIY" or "do-it-yourself projects"; French pronunciation: [bʁikɔlaʒ]) is the construction or creation of a work from a diverse range of things that happen to be available, or a work constructed using mixed media.
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Koestler's fundamental idea is that any creative act is a bisociation (not mere association) of two (or more) apparently incompatible frames of thought. [1] Employing a spatial metaphor, Koestler calls such frames of thought matrices: "any ability, habit, or skill, any pattern of ordered behaviour governed by a 'code' of fixed rules."
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