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The Spello Pietà is a fresco of the Pietà by Perugino executed in 1521–1522. It also shows John the Apostle and Mary Magdalene kneeling either side of the Virgin Mary. It is now sited in the left transept of the Chiesa Santa Maria Maggiore in Spello , but its origins are unknown.
Pietà or The Dead Christ Supported by the Virgin Mary and Saint John the Evangelist is a painting in tempera on panel of c. 1465–1470 by the Italian Renaissance artist Giovanni Bellini, now in the Pinacoteca di Brera in Milan.
The scene of the Pietà was depicted by Perugino under a portico, a typical theme of his art in the 1480s and 1490s (used for example in the Albani-Torlonia Polyptych of the Madonna with Child Enthroned between Saints John the Baptist and Sebastian). The serene landscape with light trees is also common in his paintings of the period.
The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499. Crowned by the Pontifical decree of Pope Urban VIII in 1637. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
Museo Real de Pinturas a la muerte de Fernando VII. 1834, 156; Catalog Museo del Prado, 1854-1858, 1546; Catalog Museo del Prado, 1872-1907, 1333; L'opera completa di Van Dyck, 649; Alle tot nu toe bekende schilderijen van Van Dyck, 690; RKDimages ID: 232416 ; Museo del Prado artwork ID: f89676d9-34cc-46d9-b232-571faf9894ba
Pietà of Villeneuve-lès-Avignon is an oil painting of the mid-15th century that is considered one of the outstanding works of art of the late Middle Ages. Following its appearance at an exhibition in 1904 its authorship was disputed, though it has since been accepted as the work of Enguerrand Quarton .
The Pietà or Christ's Body Supported by the Virgin Mary and St John the Evangelist is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the Accademia Carrara in Bergamo. Dated to around 1455, it is one of his earliest independent works and the prototype for his series of pietàs. It draws on Byzantine icons ...