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La Parisienne (English: The Parisian) is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Cardiff.The work, which was one of seven presented by Renoir at the First Impressionist Exhibition in 1874, is often referred to as The Blue Lady (French: La Dame en Bleu) and is one of the centre-pieces of the National Museum's art ...
Yellow-Red-Blue: Musée National d'Art Moderne, Paris 128 x 201.5 1925 Abstract Interpretation: Yale University Art Gallery, New Haven 49.5 x 34.6 Oil on board 1925 In the Bright Oval: Thyssen-Bornemisza Museum, Madrid 73 x 59 Oil on carton 1925 Black Triangle: Museum Boijmans Van Beuningen, Rotterdam 95 x 70.7 Oil paint on card board 1925 Oval ...
Women in Abstraction. Another History of Abstraction in the 20th Century or Elles font l'abstraction. Une autre histoire de l'abstraction au XXe siècle was a major exhibition of 20th century abstract art created by women. [ 1 ]
When taking X-ray and infrared images of a "portrait depicting Picasso’s sculptor friend painted in 1901 and one of the earliest examples of the artist’s Blue Period," conservators at The ...
It is a set of three-part display abstract oil paintings by the Spanish modern artist Joan Miró. The paintings are named Bleu I, Bleu II, Bleu III (in English, Blue I, Blue II, Blue III) and are similar. All are large paintings of 355 cm x 270 cm each, and are currently owned by the Musée National d'Art Moderne in the Centre Pompidou in Paris.
Alma Woodsey Thomas (September 22, 1891 – February 24, 1978) was an African-American artist and Art teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century.
Matisse depicts his model and companion of many years, Lydia Delectorskaya, in an exotic Moroccan clothing, surrounded by a complex of abstract design and exotic color. [1] This is an example of one of the final groups of oil paintings in Matisse's career, in 1950 he stopped painting oil paintings in favor of creating paper cutouts.
Tanaka's abstract paintings, sculptures, performances and installations challenged conventional notions of how works of art should appear or "perform". [3] Her use of everyday materials, such as factory-dyed textiles, electric bells, and light bulbs revealed the artistic beauty of mundane objects.
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3579 S High St, Columbus, OH · Directions · (614) 409-0683