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Holt McDougal is an American publishing company, a division of Houghton Mifflin Harcourt, that specializes in textbooks for use in high schools.. The Holt name is derived from that of U.S. publisher Henry Holt (1840–1926), co-founder of the earliest ancestor business, but Holt McDougal is distinct from contemporary Henry Holt and Company, which claims the history from 1866.
Until 2008, all of Larson's textbooks were published by D. C. Heath, McGraw Hill, Houghton Mifflin, Prentice Hall, and McDougal Littell. In 2008, Larson was unable to find a publisher for a new series for middle school to follow the 2006 "Focal Point" recommendations of the National Council of Teachers of Mathematics . [ 27 ]
Under (new from 1991) president Nader F. Darehshori Houghton Mifflin acquired McDougal Littell in 1994, for $138 million, an educational publisher of secondary school materials, [26] and the following year acquired D.C. Heath and Company, [27] a publisher of supplemental educational resources.
The Kindly Ones (French: Les Bienveillantes) is a 2006 historical fiction novel written in French by American-born author Jonathan Littell.The book is narrated by its fictional protagonist Maximilien Aue, a former SS officer of French and German ancestry who was a Holocaust perpetrator and was present during several major events of World War II.
NSB Class 7, a standard-gauge steam locomotive of Norway NSB Class VII , a narrow-gauge steam locomotive of Norway Class VII (U.S. Army) , Major items: A final combination of end products which is ready for its intended use: (principal item) for example, launchers, tanks, mobile machine shops, vehicles
John A. McDougall (May 17, 1947 – June 22, 2024) was an American physician and author. He wrote a number of diet books advocating the consumption of a low-fat vegan diet based on starchy foods and vegetables.
"Seven Little Girls Sitting in the Back Seat" is a song written by Bob Hilliard and Lee Pockriss. It was recorded by Paul Evans (US No. 9) in 1959, and covered the same year by The Avons (UK No. 3).
"The book is an affliction", claimed fellow author Catharine Maria Sedgwick. "It affects one like a passage through the wards of an insane asylum." [13] A review in the Christian Examiner complained the book was "more complex, the characterization more exaggerated, and the artistic execution less perfect" than the author's previous novel. [2]