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The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor , for oboe and violin .
Some two decades after the over twenty Weimar concerto transcriptions for unaccompanied keyboard instruments, Bach returned to L'estro armonico, and transcribed its No. 10, the concerto in B minor for four violins, cello, strings, and continuo, RV 580, to his concerto in A minor for four harpsichords, strings and continuo, BWV 1065. [55]
BWV 909 – Concerto and Fugue in C minor; BWV Anh. 151 – Concerto in C major; BWV Anh. 152 – Concerto in G major; BWV Anh. 188 – Sonata (Concerto) in F major for two harpsichords by Wilhelm Friedemann Bach (BR A12; F 10) For chamber ensemble: BWV 525a (or: BWV deest) – Concerto (or: Trio Sonata) in C major for violin, cello and ...
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
W C69 \ Harpsichord Concerto No.2 in F minor W C70 \ Harpsichord Concerto No.3 in D minor W C71 \ Harpsichord Concerto No.4 in E major W C72 \ Harpsichord Concerto No.5 in G major W C73 \ Harpsichord Concerto No.6 in F minor W C74 \ Concerto "nach Tartinis Manier" (lost) W C75 \ Piano Concerto in E-flat major W C76 \ Violin Concerto in C major ...
BWV 975 – Concerto in G minor (arrangement of Antonio Vivaldi's Concerto Op. 4/6, RV316a) BWV 976 – Concerto in C major (arrangement of Antonio Vivaldi's Concerto Op. 3/12, RV265) BWV 977 – Concerto in C major (source unknown, possibly a concerto by Benedetto Marcello)
The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach.He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions.
In his Weimar period (1708–1717) Bach was involved in the concerto genre, mainly through copying and transcribing.The earliest extant sources of Bach's own concerto compositions date from his Köthen period (1717–1723), where the 1721 autograph of the six Brandenburg Concertos takes a central place.
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