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A former name of Dave Emory's talk radio show; A right-wing political radio show hosted by Tom Valentine in the late 1980s and 1990s, heard originally on the Sun Radio Network but later only on shortwave-station WWCR. A fictional radio station featured in the 1984 film Red Dawn and its remake; A fictional radio station mentioned in The Handmaid ...
Issue Date Song Artist(s) Reference January 5 "Another Day in Paradise" [a] Phil Collins: January 12 "How Am I Supposed to Live Without You" Michael Bolton: January 19 January 26
Adult Alternative Songs, also known as Triple A, is a record chart that ranks the most-played songs on American adult album alternative radio stations. Formulated based on each song's weekly total plays, the chart was introduced in the September 22, 1995, issue of Radio & Records magazine, while Billboard ' s chart archives begin on January 20, 1996.
This earworm from R&B sensation TLC played on repeat in the ‘90s, both on the radio and in our heads. ... Raiders fire general manager Tom Telesco, 2 days after firing coach Antonio Pierce. Weather.
In 1990, 18 songs topped the chart, then published under the title Hot Adult Contemporary, based on playlists submitted by radio stations. [1] In the issue of Billboard dated January 6, Michael Bolton reached number one with "How Am I Supposed to Live Without You", displacing the final number one of 1989, "Another Day in Paradise" by Phil ...
The list was posted on the Triple J website in their Hottest 100 History section until late 2004 under 1992. [2] Despite this, an audio clip from the 1991 Hottest 100 features the announcer jokingly playing " Black or White " by Michael Jackson at the number one song before saying it was actually #113 [ 3 ] (although the actual list shows it ...
Backtrax USA is a weekly two-hour radio program hosted by former WHTZ (Z100) disc jockey Kid Kelly that premiered in 1992. [1] The original show highlights hit music from the 1980s. Since 2003, Backtrax USA has also offered a 1990s version of the show featuring hits from that decade. Affiliate stations may air either version or both.
BDS measures actual airplay by monitoring radio stations continuously with computers that "listen for the unique 'audio fingerprint' of each song and register a detection every time a song is played." [2] One of the first noticeable effects of the change in methodology was that there tended to be less turnover of the top songs. Before the ...