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Sicut Cervus remains one of Palestrina's most popular and frequently performed works and one of the rare motets that retained its popularity into the modern era. [7] The motet has become the "unofficial anthem" of St. John's College (Annapolis/Santa Fe) , where it is sung every Wednesday by students and faculty and is the part of the first-year ...
It begins "As pants the hart" in the English metrical version by Tate and Brady (1696) and in Coverdale's translation in the Book of Common Prayer, "Like as the hart". The psalm forms a regular part of Jewish , Catholic , Lutheran , Anglican and other Protestant liturgies and has often been set to music, notably in Palestrina's Sicut cervus ...
Sicut lilium inter spinas (1) Sicut lilium inter spinas* (4) Si ignoras te, o pulchra inter mulieres* (4) Stella quam viderant magi (1) Surgam et circuibo civitatem* (4) Surge amica mea, speciosa mea* (4) Surge Petre (4) Surge, propera amica mea* (4) Surge sancte Dei. Ambula sancte Dei (4) Suscipe verbum virgo Maria. Paries quidem filium (1)
Ad fontes is a Latin expression which means "[back] to the sources" (lit. "to the sources"). [1] The phrase epitomizes the renewed study of Greek and Latin classics in Renaissance humanism, [2] subsequently extended to Biblical texts. The idea in both cases was that sound knowledge depends on the earliest and most fundamental sources.
Cantiones sacrae (literally: Sacred chants), Op. 4, is a collection of forty pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works.
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina.It is his best-known mass, [1] [2] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.
The Magnificat, in Latin also canticum Beat(issim)ae Virginis Mariae (the song of the (most) Blessed Virgin Mary), is a common part of Christian worship, for instance traditionally included in vespers, evensong or matins. [1] [2] As such it is often sung and was set to music by various composers.
Version with piano and organ ad libitum; Tota pulchra es. 2-part (1868) Sub tuum. 2-part (1868) Prière à la Vierge. Words by M. (1868) Le mois de Marie (1868) Le crucifix (1868) Version in English by Webb (1869) Sicut cervus. Four-part (1868) Cantique pour l'adoration du Saint-Sacrement. Words by A. de Ségur (1868) Le ciel a visité la terre.