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A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
The first botanical magazines were published in the late 18th century : "Curtis's Botanical Magazine" (1787 to the present), launched by William Curtis, is one of the most famous and long-running botanical magazines. It has employed many talented illustrators giving detailed views as well as exploded details and cross sections.
Botanical illustrators paint or draw plants and sometimes their natural environment as well, forming a lineage where art and science meet. Some prefer to paint isolated specimen flowers while others prefer arrangements. Many botanical artists through the centuries have been active in collecting and cataloguing new species and/or in breeding plants.
A khachkar (also spelled as khatchkar) or Armenian cross-stone [1] (Armenian: խաչքար, pronounced [χɑtʃʰˈkʰɑɾ], խաչ xačʿ "cross" + քար kʿar "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. [2]
The Shirley Sherwood Gallery of Botanical Art, opened on 19 April 2008, at Kew Gardens is named after her. [4] It was the first gallery in the world dedicated solely to botanical art. Sherwood has been described as a "driving force behind a revival of interest in botanical art". [6] She is a vice-president of the Nature in Art Trust. [7]
The American Society of Botanical Artists (ASBA) is the principal United States society for those who practice and appreciate contemporary botanical art. Since its founding by Diane Bouchier in 1994, ASBA has grown to nearly 2000 individual members in 39 countries and more than 40 institutional members from around the world.
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