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There are a number of words in Hindi that function as reflexive pronouns. [ 8 ] [ 7 ] The indeclinable स्वयं (svayam) can indicate reflexivity pertaining to subjects of any person or number, and—since subjects in Hindi can appear in the nominative, or dative cases [ 9 ] —it can have the sense of any of these two cases.
Hindustani is extremely rich in complex verbs formed by the combinations of noun/adjective and a verb. Complex verbs are of two types: transitive and intransitive. [3]The transitive verbs are obtained by combining nouns/adjectives with verbs such as karnā 'to do', lenā 'to take', denā 'to give', jītnā 'to win' etc.
Compound verbs, a highly visible feature of Hindi–Urdu grammar, consist of a verbal stem plus a light verb. The light verb (also called "subsidiary", "explicator verb", and "vector" [ 55 ] ) loses its own independent meaning and instead "lends a certain shade of meaning" [ 56 ] to the main or stem verb, which "comprises the lexical core of ...
The original Hindi dialects continued to develop alongside Urdu and according to Professor Afroz Taj, "the distinction between Hindi and Urdu was chiefly a question of style. A poet could draw upon Urdu's lexical richness to create an aura of elegant sophistication, or could use the simple rustic vocabulary of dialect Hindi to evoke the folk ...
"All work and no play makes Jack a dull boy" is an old proverb that means without time off from work, a person becomes both bored and boring. It is often shortened to "all work and no play". [ 1 ] It was newly popularized after the phrase was featured in the 1980 horror film, The Shining .
The Dull Clubs give out awards for Anorak of the Year: a person with a dull hobby who had a particular impact. Williamson was awarded this honor during her first year in the club. “I found it ...
The term bazaar Hindustani, in other words, the 'street talk' or literally 'marketplace Hindustani', also known as Colloquial Hindi [e] or Simplified Urdu, [f] has arisen to denote a colloquial register of the language that uses vocabulary common to both Hindi and Urdu while eschewing high-register and specialized Arabic or Sanskrit derived ...
The person who brought realism in Hindi prose literature was Munshi Premchand, who is considered the most revered figure in the world of Hindi fiction and progressive movement. Literary, or Sāhityik , Hindi was popularised by the writings of Swami Dayananda Saraswati , Bhartendu Harishchandra and others.