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Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity ...
Native American jewellery is the personal adornment, often in the forms of necklaces, earrings, bracelets, rings, pins, brooches, labrets, and more, made by the Indigenous peoples of the United States. Native American jewellery reflects the cultural diversity and history of its makers.
The stones we use are of a wider variety than those usually associated with Indian jewelry. The symbols and narrative on our pieces are expansions of traditional symbols and stories.” [8] Southwest Native American art dealer and book author Martha Hopkins Lanman Struever held the first gallery show for Bird and Johnson in Chicago in 1978 ...
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.
Plateau dentalium choker and bracelet, from Nez Perce National Historical Park, 19th century, made using Antalis pretiosa shells. The word dentalium, as commonly used by Native American artists and anthropologists, refers to tooth shells or tusk shells used in indigenous jewelry, adornment, and commerce in western Canada and the United States.
Native populations continue to grow. In 2020, 9.1 million people in the United States identified as Native American and Alaska Native, an increase of 86.5% increase over the 2010 census.They now ...
Effie Calavaza was born in 1927 in Zuni, New Mexico as Effie Lankeseon, [4] [5] where she lived her entire life. [6] She married Juan Calavaza (1910–1970), also a jewelry artist, who taught her the art. Until her husband's death in 1970, she signed her own work with her husband's signature, "JUAN C.–ZUNI".
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams. ISBN 978-0-8109-3689-8. Fundaburk, Emma Lila; Foreman, Mary Douglass Fundaburk (2001) [1957]. Sun Circles and Human Hands: the Southeastern Indians - Art and Industry. Tuscaloosa: University of Alabama Press. ISBN 978-0-8173-1077-6.